Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Wednesday, 9 September 2026

Sands Film Studio Event

 


Suzannah V Evans' new book How Running Is (available from Guillemot Press) considers "the erotics of running and how it feels to live and move in a body." These experimental prose poems are charged with insight, a brilliant experiment in charting repetitive motion and energy, patience and momentum. Being more of a swimmer than a runner, I was delighted to find the first poem is titled "Running and Swimming".

I'll be reading with Suzannah V. Evans and Kate Potts to launch this wonderful book at Sands Film Studio, London on 10th September. I don't have any poems about running. Expect aquatic poems on surfing, sailing and water's influence on embodiment - from Uneasy Pieces and Navigations

Sunday, 4 March 2018

Upcoming event: Barge Fiodra


This photo (taken by Canal & River Trust Writer in Residence Jasper Winn) shows me and Pierre Tremblay during our epic cycle journey along the Regent's Canal last month. The excursion was the start of a collaboration which has led to a new filmpoem about the Regent's Canal.

The fillmpoem, The Cut, will be premiered as part of Barge Fiodra's March festival. On 15 March you can join me onboard Fiodra for a short screening, followed by readings of canal poems written since I was appointed Canal Laureate in January. Although small, the venue is supplied with a comprehensive bar and there'll be opportunity for convivial discussion and mingling post-event.

You can see an introduction to Pierre Tremblay's work and catch up on my first month as Canal Laureate on the Waterlines blog.

Monday, 9 October 2017

Small Publishers Fair, London


Don't miss this feast of books! 

Friday 10th and Saturday 11th November 2017
Conway Hall, London 
11am - 7pm

Wednesday, 18 January 2017

Bacon / Freud at Marlborough Fine Art



It was a great pleasure to write about two titans of twentieth-century art for the catalogue to the current exhibition at Marlborough Fine Art, London. The different approaches to printmaking demonstrated by Francis Bacon and Lucian Freud creates high drama in the gallery. Bacon and Freud: Selected Graphic Works is at Marlborough Fine Art, 6 Albemarle Street, London until 25 February 2017. The catalogue (pictured below) can also be read online.


Sunday, 25 September 2016

The Polar Tombola - News


The Polar Tombola continues its UK tour this autumn with the following dates:

At The Poetry Library, London on 16 October, as part of Southbank Centre Literature Festival.
The Polar Tombola will be open from 12:00 until 18:00 for the Poetry Library's annual Open Day, with the theme Living in Future Times. Hang around! There's a poetry reading in the evening (20:00 start), at which I'll present newly commissioned work responding to the library collections.

At The Polar Museum, Cambridge on 29 October, for Cambridge Festival of Ideas.
Drop in between 12:00 to 16:00 to play the Tombola in the atmospheric surroundings of the UK's best polar collections.

At the World Museum, Liverpool, on 20 November,as part of the Women Crossing Cultures / Being Human Festival.
Come and play the Polar Tombola between 14:00 and 16:00; I'll conclude the event with a reading of Arctic poems from my collection Disko Bay at 16:15.

All these events are free, no booking required.

Can't make the dates above? The Polar Tombola will be making its final appearance in Bristol on 2 April 2017. Watch this space for details...


Tuesday, 22 March 2016

Sculptors in Print


Anish Kapoor, Fold III, 2014 Etching from two sheets, edition of 20, Each sheet 96.5 x 72.5 cm, Framed size 157 x 119.8 x 12.8 cm, courtesy the artist and Marlborough Graphics, London

The exhibition Sculptors in Print which opens at Marlborough Fine Art, London on 5 April will show iconic graphic works by Louise Bourgeois, Anish Kapoor, Richard Serra and Kiki Smith. I was honoured to be invited to write the essay for the catalogue that accompanies the exhibition, which continues until 30 April.

Saturday, 9 January 2016

Words for Winter: forthcoming events


Wood engraving by Thomas Bewick

Words for Winter

Welcome to the Albion Beatnik, for a hearty evening of cold poems from Theophilus Kwek, Michael Loveday, Lucy Newlyn, Lavinia Singer, Andrew Smardon and Kate Venables. I'll also be reading from - and launching - my poetry collection Disko Bay (available from Enitharmon Press).

The Albion Beatnik, 34 Walton Street, Oxford, OX2 6AA
28 January 2016
7pm for 7.30pm start
Entry £2 on the door; refreshments available.

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Eco-Poetry Evening

Readings by Nancy Campbell, Isabel Galleymore, Sophie Herxheimer and Nathan Thompson.

Academy of Music and Theatre Arts, Penryn, Cornwall, TR10 9LX
27 January 2016
6pm
Free, book tickets here.

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Poles Apart

I'm excited to be reading with poet and novelist Will Eaves at the legendary London bookshop.

Gay's the Word, 66 Marchmont Street, London, WC1N 1AB
3 March 2016
7pm
Entry £3 on the door, complimentary refreshments provided.

Thursday, 19 November 2015

Poem-A-Thon for Refugees


The initiative of poet Jacqueline Saphra, the Poem-A-Thon for Refugees began as an attempt ‘to do something to raise funds and awareness to make a small contribution to alleviating this terrible humanitarian crisis.’ In the last few weeks over £5000 has been raised.

At the Poem-A-Thon sixty poets will each read for eight minutes in the course of a day. All donations will go to Médecins Sans Frontières (MSF) and its work with refugees in the Mediterranean. 

How can you help? Sponsor me or another poet of your choice or drop in (for a quick coffee or a long cocktail) during the day to cheer on the poets.

Poem-A-Thon for Refugees
Saturday 5 December 2015
Vout-O-Reenees, 30 Prescott Street, London E1 8BB (‘a gorgeous private members’ club owned by the amazing Sophie Parkin’)
Free entry
12 noon to 10 pm

Poetry makes nothing happen? Thanks to Jacqueline and her committee for this opportunity to make a small difference.

Saturday, 3 October 2015

Small Publishers Fair

Small Publishers Fair (Photograph: Caspar Evans)

Nancy Campbell: Books and Printed Matter is the 2015 exhibition at the Small Publishers Fair in London on Friday 6 and Saturday 7 November.

It is a real honour to be invited to occupy the exhibition space at the fair which in previous years has shown the work of artists and publishers including herman de vries, Granary Books, Martin Rodgers and Les Coleman.

This exhibition will present a selection of works from the last decade, from artist's books produced under my own imprint - Bird Editions, collaborations with other artists, including Mette-Sofie D. Ambeck, Sarah Bodman, and Roni Gross, and titles from publishers such as Enitharmon Press and MIEL. I hope that the variety of media on show will demonstrate the many forms the printed word can take, from pochoir-illustrated artist's books to letterpress-printed broadsides and print-on-demand paperbacks.

The Small Publishers Fair (which has run since 2002) is a lively occasion, and a fascinating day out for anyone interested in books and publishing. More information can be found on the event website and you can read 'Conversations and Collaborations', my short statement about the work I'll be showing, here.

Sunday, 23 November 2014

The Material Word

The open day at The Poetry Library in London earlier this month had 'The Material Word' as a theme. As part of the event, a selection of works that challenged the boundaries of poetry were on display.

10 Sentences by Ian Hamilton Finlay

Great cover design for A Valentine for Noel by Emmett Williams

M : Writings '67 - '72 by John Cage
(which eerily fell open at this page:
'We're in a confusion of / books. Bonfire?')

 From the Private Tutor series, invented by Simon Cutts and operational between 1967 and 1970. (Good news: the whole series will be digitally available on the Poetry Library's online magazines' website from 1 December 2014. See www.poetrymagazines.org.uk)

Thanks to poets and library staff Chris McCabe and Saradha Soobrayen for including How To Say 'I Love You' In Greenlandic in the display in both the fine press and small press editions. It was good to see visitors able to handle both works during the day.

Friday, 7 November 2014

Proverbs of Water


My sequence Proverbs of Water is featured in The Rising of the Waters, the latest journal from Dark Mountain. I'll be reading the poem at the launch on 3 December at Free Word Centre, London. Meanwhile, you can get a taste of the editorial here.

Monday, 13 October 2014

Lines in the Ice


My latest book ITOQQIPPOQ - which was acquired by the British Library in the summer - will be shown as part of the British Library's exhibition Lines in the Ice: Seeking the Northwest Passage which runs from 14 November 2014 to 29 March 2015. Lines in the Ice examines the role of the Arctic regions in the making of the modern world. ITOQQIPPOQ will be in the company of early European maps of the Arctic, Inuit accounts of the coming of explorers and writings from the long search for the explorer Franklin. The curator has contributed a post to the BL's American Studies blog which gives an exciting glimpse of some of the other works that will be on show.

Tuesday, 17 September 2013

The London Art Book Fair


How To Say 'I Love You' In Greenlandic: An Arctic Alphabet 
was represented by KALEID Editions at The London Art Book Fair at the Whitechapel Gallery earlier this month. The image below shows my book surrounded by book works by artists including Tamarin Norwood, Victoria Browne and Rose Smith. 


The Birgit Skiöld Award for Excellence was awarded to 
How To Say 'I Love You' In Greenlandic during the fair. As a result of the award, the book has been acquired by the Victoria & Albert Museum. The award was presented by Elizabeth James, Senior Librarian in the V&A's Word and Image Department.


UDKANT, made in collaboration with Mette Sofie D. Ambeck
during my residency at Doverodde Book Arts Center Denmark, 
was acquired by the Tate Gallery, London.



Tuesday, 19 March 2013

Hoarding History

Foyles has been a mainstay of London's bookshop scene for over 100 years. 

Recently, the company announced that their flagship store on the Charing Cross Road would be moving ... next door. 

Despite the small distance involved, the move will take some time - much building work is underway to make the new Foyles fabulous. I was fascinated to see that Foyles has commissioned comic artists to tell the story of the bookshop on the hoarding that keeps developments within the new building from curious passers-by. Here's a selection:


'There could be something in this bookselling lark!'
(John Miers)


Foyles is founded in the Foyle family kitchen (John Miers)


The first store (John Miers)


Foyles moves to its first premises in Cecil Court, 
where they are so busy the police suspect illegal activity
(Stephen Appleby)


Christina Foyle
(Karrie Gransman)


Christina Foyle in Russia
(Karrie Fransman)


Foyles began a series of book clubs, including the Catholic Book Club,
 to which the Pope belonged (under a pseudonym)
(Bryan Talbot)


Literary Luncheons
(Woodrow Phoenix)


Thefts from Foyles were rampant
(Warren Pleece)


Richard Burton vs Transport for London 
(Warren Pleece)


The old Foyles payment system
(Oliver East)

The hoardings are picking up graffiti as the days pass but you can see the full series in their original condition here.

Sunday, 18 November 2012

How To Say 'I Love You' In Greenlandic at Bookartbookshop, London



Thanks to everyone who came along to the private view of my exhibition in the window of Bookartbookshop on Friday night. It was wonderful to see so many old friends and meet new ones.

Anna served canapés inspired by How To Say 'I Love You' In Greenlandic. The onigiri - or Japanese rice balls - looked like snowballs with colourful fillings. The Greenlandic language doesn't appear to have a word for 'rice ball' but I was pleased to find an equivalent so that we could provide a Greenlandic menu, with translations for the English-speakers present.

The exhibition continues until 29 November, to be followed by a new work by Tom Phillips, creator of A Humument, the altered book to end all altered books. Phillips' work has featured in some of my recent workshops, and I'm excited to see what he does next with the book form.

Saturday, 27 October 2012

How To Say I Love You In Greenlandic at Bookartbookshop


I'm delighted to be exhibiting How To Say 'I Love You' In Greenlandic: An Arctic Alphabet at London's wonderful Bookartbookshop. Readers who have yet to visit this cavern of bibliographic enchantments can feast their eyes on the panoramic view of the shop floor, below. 



The exhibition will open on Friday 16 November and runs until 29 November. 


There is a Private View on Friday 16 November from 18.oo - 22.00, during which copies of How To Say 'I Love You' In Greenlandic will be on sale, and a range of Greenlandic greeting cards will be launched. Refreshments inspired by the Arctic landscape will be served.


There will be an artist's talk and group discussion on the subject of Geopoetics and Artists Books on Wednesday 21st November from 1800. This is a free event but numbers are limited so please contact the gallery to book your place.

Location details below. Please check shop opening hours before your visit.


Friday, 1 July 2011

Andrew Lee's London

Andrew Lee explores the darker side of London signage. Regular readers will remember his work Gangland Caff, the menu board featuring some gruesome Cockney morsels. This macabre humour is also evident in Lee’s recent photographic work, including the topical NHS Cuts at the Throat, Nose and Ear Hospital (above).

Visit Lee's website for more photographs, as well as graphic work on urban life and urban nature - some favourite subjects being 'birds' nests, geezers, pears, and bull terriers.'

Wednesday, 29 December 2010

Print Club London



Icebergs in waiting

I've heard some exciting rumblings about happenings at Print Club London and decided it was time to take a look. Any excuse for a trip back to Shacklewell Lane, where I once kept my own press. This part of the east end boasts a remarkably cheap hamam, very convenient for getting rid of stubborn ink stains, not to mention Mangal II, the excellent diner frequented by Gilbert & George, which is just up the road.

Print Club London is dedicated to screenprints. I wanted to experiment with this notoriously quick'n'easy process to see whether it would be suitable for printing the 700 icebergs needed for How To Say 'I Love You' In Greenlandic, since it's unlikely that any relief print will give me the colour saturation or subtlety I am aiming for.

I had a great day in the studios. Compared to letterpress, screenprinting is such a doddle. But it's also more flexible, and less brutally mechanical than I expected - I enjoyed playing around with half-tones and adding to sketches at the transfer stage. The glossy, immediate results seeped through the screen like a dream - no need to crank iron levers or worry about platen pressure. I am a convert, and it is exciting to have discovered a means of realising several small books that I've had on the back-burner for years, because they seemed follies as letterpress projects.


Fred Higginson, Master of Ceremonies, with squeegee

But I won't be printing the icebergs at London Print Club, after all. The devil in me has also been considering using pochoir, but hand-colouring 700 prints would have been madness if the effects could have been achieved equally well with a squeegee. Hand-colouring 700 prints may be madness, anyway, by most people's standards. However, I know now that it's the only way I will be able to evoke the watery, volatile nature of the Arctic skies. It's time I found myself an intern!



Wednesday, 18 November 2009

Gangland Caff


Black plastic sign boards were once a common sight across London, and last summer I featured a decrepit specimen advertising electrical wares by the seaside. Perhaps it had retired from a life of crime in the metropolis.

In typographic terms, these signs are inherently sinister. The design draws on the white-on-black aesthetics of the chalkboard, but with none of the latter's grace. It combines a brutal typeface with a technology that, while initially promising freedom of choice, in fact constrains any graphic invention. Tiny holes in the surface of the board clamp onto plastic letter-shafts, insisting on perfect rectilinear presentation, while no other design elements need be followed. The board is the epitome of the upright and the ugly, as self-righteous and unimaginative as the Cockney cafe proprietor.

Sign boards are a quirk of display technology, an evolutionary anomaly like the vicious star-nosed mole of the Pacific North West, a creature neither of the land nor of the sea, with its alien and disturbing snout. These strange inventions have preserved their form unchanged while new and flashier ways of marketing – LED strips, florescent stars, digital displays – passed them by.

Like its more majestic relative, the cinema hoarding, the sign board has always suffered from a paucity of alphabetic material. The board’s owner must endure the fact that, even from the outset, there are never enough letters provided. And so words are misspelt to begin with, dollars used to represent pounds, letters to represent numbers – and vice versa. Then comes the inevitable decline in standards, first a spattering of chip fat, and then growing chaos as letters go missing in action, sucked up the hoover along with baked beans, beard trimmings or dead mice; falling from the board and down the back of a leatherette sofa as the plastic pegs bend and break.

In this deadpan version, Gangland Caff, the artist Andrew Lee encapsulates the poignant role of the sign board as both a welcome and a warning. Lee's 'Slap-Up Menu' offers a selection of unpalatable snacks that combine Cockney rhyming slang with the great greasy spoon tradition. Make mine a knuckle sandwich and a ginger beer.

Gangland Caff / menu board / 46x62cms / 2007

Wednesday, 7 October 2009

Autumn


Charlie Brown used to jump in autumn leaves but last Sunday in the park I discovered that pigeons are much more fun. Luckily the brilliant Florian Greimel was on hand to capture the Fall antics.