Showing posts with label Translation. Show all posts
Showing posts with label Translation. Show all posts

Monday, 14 September 2015

Disko Bay


Copies of Disko Bay can now be reserved on the publisher's website: http://www.enitharmon.co.uk/pages/store/products/ec_view.asp?PID=728

Some advance reviews:

Disko Bay is a beautiful debut from a deft, dangerous and dazzling new poet writing from the furthest reaches of both history and climate change.’ – Carol Ann Duffy

‘Nancy Campbell crafts severe, beautiful founding myths which merge fragments of story with song in a poetry which has refreshingly sharp edges. Strong women and talented male hunters there are, but all are vulnerable before human caprice and this lyrically evoked world of ice.’ – Richard Price

Disko Bay will be available from November. The launch event will be on Tuesday 1 December at the Enitharmon Press premises in Bloomsbury. Please contact Lavinia Singer on info@enitharmon.co.uk to reserve your place.

Monday, 6 January 2014

New Publication!


How To Say ‘I Love You’ In Greenlandic: An Arctic Alphabet will be available in a new edition published by MIEL Editions in January 2014. 
Established in 2010, MIEL ‘publishes poetry, short prose, photographs and prints in forms that bridge the gap between the artist’s book and the trade edition’. Based in Ghent, the team behind MIEL are also responsible for the wonderful 1110 magazine.
Those who found the price of the original artist's book too steep for their pockets will be able to secure their own copy for just €15.
How To Say ‘I Love You’  In Greenlandic will be released in time for Valentine’s Day - but the edition is limited to 175 copies. Pre-order your copy here!

Wednesday, 16 October 2013

The Third Thing


I like riddles. Perhaps Gollum's 'Voiceless it cries, / Wingless flutters, / Toothless bites, / Mouthless mutters' in The Hobbit was the first I encountered. Then the far more ancient, suggestive kenning of Anglo-Saxon riddles from the Exeter BookThe equivocal scraps, stones and body parts that voice the works of the poet Vasco Popa

Writing a riddle demands concision, yet the frame of reference must be universal. Why title any poem with anything but a question mark? When I start writing about one thing, I soon notice that I’m describing another. A small object takes on a greater significance. This same shape-shifting perspective may be what draws me to Inuit ivory sculpture, tiny objects that from one angle may be a polar bear, from another, a human being. You head out in one direction, but find yourself somewhere unexpected.

It was a great honour when Frances and Nicolas McDowall of the Old Stile Press contacted me to ask permission to use my translation of one of the riddles from the Exeter Book in a new anthology of writings on water.

The Third Thing is a selection of poems with woodcut images by Ralph Kiggell. Water and swimming have featured strongly in Kiggell’s life and when the Old Stile Press commissioned a second book to follow his hugely successful Leading the Cranes Home (2006) it was only natural that the subject should be ‘water’.

A generous slideshow of pages from the book can be seen on the Old Stile Press website, where the publishers write:

"Roger Deakin, the author of Waterlog, linked the passion to swim to our body’s mystical sympathy for water: ‘When you swim, you feel your body for what it mostly is - water.’ However, swimming was not to be the focus of the book and Ralph allowed himself to explore poems and prose from across different ages and cultures. Writers have shown us that from sea to land to cloud and back to sea, the cycle of water encapsulates history and life itself. ... There are driving shafts of rain, frozen crystals, rivers which support teeming life on boats, clouds heavy with impending downpours. All derive from D.H. Lawrence’s wonder at the unknowable ‘third thing’ that, with an oxygen atom and two of hydrogen, completes the mystery of water."
Other poets in his selection include Robert Frost, Wallace Stevens, Padraic Colum and John Masefield. As well as the riddle, I have contributed a new poem, written in collaboration with Anna Zvegintzov, ‘The Last Assignment’.
The book can be purchased from the Old Stile Press. Main Edition: ISBN 978-0-907664-89-5 £340 (plus p&p); 
Special Edition: £1250 (plus p&p).

Tuesday, 4 December 2012

Holiday cards

My Arctic-themed holiday cards are now hot off the press and available from Bookartbookshop, London.

The letterpress-printed cards come in three colours, delft blue, aquamarine and lilac, each with a seasonal Greenlandic greeting (and there's a translation on the back for those whose Greenlandic is not yet fluent!).

Saturday, 21 May 2011

The Third Thing



The poem above, by Lu Yu (in a translation by Arthur Waley) is paired with a woodblock print by Ralph Kiggell. The page spread is from Leading the Cranes Home, a selection of Chinese poems published by The Old Stile Press.

Kiggell, a British artist based in Bangkok, studied traditional woodblock printing in Japan. While working respectfully within this traditional process, he has a thoroughly contemporary vision - exemplified in a recent series of prints depicting pylons and water towers. Perhaps the 'mountain rain' that pours through the hat of the ox-minding boy in the image above was an omen, for Kiggell's next venture with The Old Stile Press, The Third Thing, will be an anthology of poems about water. (The title is drawn from a poem by D.H. Lawrence.) Kiggell is well qualified for such a subject, having recently completed a remarkable swimming pool mural in Hong Kong. One of the older poems in the volume will be an Anglo-Saxon riddle from The Exeter Book, in my translation. I'm looking forward to seeing how Kiggell responds to the equivocal words through wood and ink.

Wednesday, 5 January 2011

Qavak Songs

A selection of my translations of songs from the South Greenlandic Qavak dialect have just been published in the online journal qarrtsiluni (follow the link to read or listen).

All three songs, sung by female shamans, are from tales of great daring that have become legendary in Greenlandic culture. I discovered the original transcriptions of these versions in an obscure journal in Upernavik Museum; I believe this is the first time they have been made more widely available. The Song of a Wicked Woman whose Knowledge Knew No Limit is especially notable. Like Beowulf's sword or Achilles' shield, the arrow used by Qasapi to kill his enemy Unngortoq in the legend has a prominent role in all versions of the narrative, but no other account has identified the origin of the weapon, perhaps for reasons of delicacy, as the shaman's 'uvijera' (an obscure term which derives from the word for mussel, 'ulioq').

I've had some great feedback on them already, notably 'Aunt B' of Tennessee in the ravishing blog Tiny Cat Pants. Thanks also to Brooklyn's David Cooper and Jane Rice.