Showing posts with label Kalaallisut. Show all posts
Showing posts with label Kalaallisut. Show all posts

Sunday, 1 May 2016

"How To Say 'I Love You' In Greenlandic" News

'A book that is not only beautiful but full of joy, love and quiet intensity.' 
- Oliver Clark, Collinge and Clark Rare Books, London


I'm delighted to announce that How To Say 'I Love You' In Greenlandic: An Arctic Alphabet is being reissued by MIEL books. This reformatted and updated version of MIEL's popular pocket edition (first published 2014) will be available in October.


Want to read more? Here's a blog post on ice and alphabets written for MIEL back when the first pocket edition came out. Or an in-depth feature article on the people behind my story, published in the Independent. And Saradha Soobrayen, poet and librarian at the Poetry Library in London, reviews the first MIEL edition here.

MIEL's first edition of How To Say 'I Love You' In Greenlandic sold out quickly; guarantee your copy and support this amazing small press with a 2016 subscription. Can't wait until October? There are still copies of the original deluxe edition available.

Saturday, 12 March 2011

The Finished Book







Here's a preview of pages from How to say 'I love you' in Greenlandic, which has just been sent off to the Red Bone Bindery, Ottawa, where designer binder Natasha Herman will make cases for the prints.

Creating the images using the pochoir process has been an adventure: it's a new process to me and I've found it demands a very different approach from relief printing using a hand-press. While it is no less meticulous than wood engraving, for example, there is far more room for experiment and improvisation within each print - whether in the sweep of the sponge through the stencil or the colour of gouaches mixed - and equally, far more potential for a small slip of the hand to write off a print completely. I had to revise my expectations, both of the aesthetic unity of the project, and the practical matter of time. It takes me about fifteen minutes to create one print, and I can't work for more than two hours at a stretch before needing to refresh the paints and wash out the mylar stencils.

I'm particularly pleased with the design for an iceberg pilcrow to accompany the Weiss Roman typeface, just visible on the first page of the introduction above. Strangely, Weiss never saw the need to create an Arctic pilcrow. I wonder if this oversight will be addressed in the forthcoming monograph on the artist and designer from Incline Press, The Book Work of E.R. Weiss by Jerry Cinamon, which my library is eagerly awaiting.



Sunday, 26 December 2010

Ukiortaami pilluarit!


Hearty digital new year's greetings to friends and followers
who did not receive this by post!

Thursday, 12 August 2010

How to say ‘I love you’ in Greenlandic: An Arctic Alphabet



puttaarpoq - to leap from one ice floe to another, to dance

Upernavik Museum is the most northern museum in the world, a lonely building on a rocky island in Arctic Greenland. Last winter I was appointed writer-in-residence there, and - as it seemed incongrouous to be writing in English, a language not spoken by my Inuit neighbours - I began to take lessons in Kalaallisut. I wanted to understand the whispers of the hunters as they waited every morning for seals by breathing holes in the fast-ice, and to be able to respond to the shrieks of the children who tumbled past my door in bright snowsuits and mittens trimmed with polar bear fur.
Kalaallisut is infamous for its many words for different kinds of snow. It expresses the intricate Arctic ecosystem more thoroughly than the writings of any climate scientist. I discovered that the Arctic landscape is always present in the vocabulary. The word puttaarpoq, for example, can mean both ‘to dance’, and ‘to leap from one ice floe to another when trying to cross the sea’. Kalaallisut possesses a smaller alphabet than English, only twelve letters which are densely woven into compound words. Rarely shorter than three syllables, the words express concepts which English tiptoes around with a phrase. I was delighted to find signifiers for 'I am leaning on one elbow' (ikusimmiarpoq) and 'I reel with the delirious joy of being alive' (nuannarpoq). English seems finicky and prim in contrast: little words swimming indecisively this way and that way like minnows trapped in a shallow stream. Each Kalaallisut word is sturdy as a whale: a contradictory water-bound mammal that relies on the ocean depths for sustenance but comes to the surface to breathe. When I read that UNESCO had placed Kalaallisut on its list of endangered world languages, I decided to produce a tribute to its beauty.
How to say ‘I love you’ in Greenlandic: An Arctic Alphabet is an introduction the evocative vocabulary of the far north. From the romantic ‘I love you’ to the pragmatic ‘Make me a hot drink from the old coffee grounds’, a word has been chosen to represent each of the twelve letters of the Kalaallisut language. The thirteenth print in the portfolio, ‘The Last Letter’, is a eulogy for the language.
How to say ‘I love you’ in Greenlandic: An Arctic Alphabet will be hand-printed next spring in an edition of 42 copies. The print portfolio will be housed in a designer binding created by Natasha Herman, of the Red Bone Bindery, Ottawa. To be added to the mailing list for further information on the project and an invitation to the book launch, please email arcticalphabet@gmail.com.