The Material Word

The open day at The Poetry Library in London earlier this month had 'The Material Word' as a theme. As part of the event, a selection of works that challenged the boundaries of poetry were on display.

10 Sentences by Ian Hamilton Finlay

Great cover design for A Valentine for Noel by Emmett Williams

M : Writings '67 - '72 by John Cage

(which eerily fell open at this page:

'We're in a confusion of / books. Bonfire?')

 From the Private Tutor series, invented by Simon Cutts and operational between 1967 and 1970. (Good news: the whole series will be digitally available on the Poetry Library's online magazines' website from 1 December 2014. See www.poetrymagazines.org.uk)

Thanks to poets and library staff Chris McCabe and Saradha Soobrayen for including How To Say 'I Love You' In Greenlandic in the display in both the fine press and small press editions. It was good to see visitors able to handle both works during the day.

Terrain Nonfiction Prize

Sketch of snow crystal by René Descartes

The Library of Ice, my essay on ice cores and human readings of frozen water, has been awarded the Terrain Nonfiction Prize for 2014. The Library of Ice can be read online at Terrain.org. 

Oxford and Greenland are Closer than they Appear

The Literary and Philosophical Society in Newcastle upon Tyne is always full of good things. On a recent visit I was glad to discover the World Prefix Map (hanging on the wall behind the scenes in the Bindery, where I was being supplied with tea and biscuits). The map - which at a guess comes from the 1970s - shows that Greenland, in 'the new Worldwide Amateur Location System', has the Prefix OX, my current UK postcode. And Oxford, confusingly, is given the prefix G.

Proverbs of Water

My sequence Proverbs of Water is featured in The Rising of the Waters, the latest journal from Dark Mountain. I'll be reading the poem at the launch on 3 December at Free Word Centre, London. Meanwhile, you can get a taste of the editorial here.

Hallowe'en Editions

Alchemy (2006) Letterpress by Roni Gross

As Hallowe'en approaches a reminder that these are the last few days to catch They Cast No Shadows: Hallowe'en Works from Zitouna Press over 25 years at The Centre for Fine Print Research, UWE, Bristol. The exhibition - which showcases printed multiples made annually for Hallowe'en by New York artist Roni Gross - runs until 31 October. 

Further details about the exhibition including my catalogue essay are available online here.

Material Words at The Poetry Library

The Poetry Library at London's Southbank Centre has acquired a copy of How to Say 'I Love You' in Greenlandic for their collection. Both the original fine press edition of How to Say 'I Love You' in Greenlandic and the miniature MIEL edition will be on display at a one-day celebration of the material word, held at the library on Sunday 16 November. Free and all welcome, details here.

Lines in the Ice

My latest book ITOQQIPPOQ - which was acquired by the British Library in the summer - will be shown as part of the British Library's exhibition Lines in the Ice: Seeking the Northwest Passage which runs from 14 November 2014 to 29 March 2015. Lines in the Ice examines the role of the Arctic regions in the making of the modern world. ITOQQIPPOQ will be in the company of early European maps of the Arctic, Inuit accounts of the coming of explorers and writings from the long search for the explorer Franklin. The curator has contributed a post to the BL's American Studies blog which gives an exciting glimpse of some of the other works that will be on show.