Showing posts with label Writer-in-residence. Show all posts
Showing posts with label Writer-in-residence. Show all posts

Sunday, 14 January 2018

Canal Laureate 2018


I'm delighted to be appointed Canal Laureate for 2018 by the Canal & River Trust and The Poetry Society, following in the slipstream of writers Luke Kennard (Canal Laureate 2016-17) and Jo Bell (Canal Laureate 2013-15).

Over the coming months I will travel the 2,000 and more miles of waterways looked after by the Canal & River Trust -- wherever possible, in my kayak. I will seek out and share stories from the rich history of the waterways, and champion the importance of these 'green corridors' for wildlife. As well as poems featuring people who live and work on the waterways, I will create new collaborative works with other water-loving artists and writers.

My first canal poem, 'Safety Briefing' can be read on the Waterlines website, and subsequent poems will be posted there over the coming months. You can also follow the project on Twitter @CanalPoetry

More details in the announcement from The Poetry Society.

Tuesday, 28 November 2017

Writer in Residence: Jan Michalski Foundation


Le Voleur de Mots V by Jaume Plensa, in the courtyard of Jan Michalski Foundation

This month I am writer in residence at the Jan Michalski Foundation for Writing and Literature in Montricher, Switzerland. I am grateful for the opportunity to access the rich and remarkable mulitlingual library at the Foundation while working on my translations of Songs from Ammassalik, as well as putting the finishing touches to my memoir The Library of Ice.


(The sculpture shines all night, keeping me company when I have been working late.)

Thursday, 28 September 2017

The Institute of Gunnar Gunnarsson, Iceland


During September and October I am Writer in Residence at Skriuðuklaustur, near Egilsstaðir in East Iceland.  Skriuðuklaustur is the former home of Iceland's much-loved novelist Gunnar Gunnarsson, who donated it to the nation in 1948, with the proviso it should be a home for literature. (You can read more of the history and architecture of this fascinating and unusual Icelandic building here.)

During my time here I'm researching glaciers for my forthcoming book The Library of Ice. The vast Vatnajökull glacier is not far from Skriuðuklaustur, and as well as enjoying the peaceful writing environment, I've been participating in some more active research out on the icecap. 


Tuesday, 20 December 2016

Fondation Jan Michalski - Residency


I have been awarded a residency at the Fondation Jan Michalski in 2017. This foundation for literature at the foot of the Jura in Switzerland has a large multilingual library and exhibition space, not to mention the wonderful "treehouses" for writers shown in the video above. I will use the residency to complete work on the first English translation of a selection of songs collected in Greenland in 1935 by the French anthropologist Paul-Emile Victor (originally published as Chants d'Ammassalik, Copenhagen, 1991).

Friday, 1 July 2016

Gladstone's Library Shortlist


I am honoured to be on the shortlist for the 2017 Writers in Residence Award at Gladstone's Library. The book collection of the Victorian statesman William Ewart Gladstone is now the core of a remarkable residential library 'dedicated to dialogue, debate and learning ... in an age of distraction and easy solutions.' Read the full shortlist here.


The winners will be announced on Monday 3 October at the National Liberal Club in London when the four winning authors will read from their work. Tickets for the Writers in Residence 2017 launch event are priced at £10. To register your interest, please call 01244 532350 or email enquiries@gladlib.org.

Monday, 7 September 2015

Ilulissat Kunstmuseum, Greenland

Ilulissat Kunstmuseum

During August I was Writer in Residence at Ilulissat Kunstmuseum on the North-West coast of Greenland. The museum holds a major collection of oil paintings and sketches of the Greenlandic landscape by the Danish artist Emanuel A. Petersen, and this became a focus for my own work. 

I was able to deepen my own experience of these landscapes, which were hidden under winter snow on my previous visit in 2010. I hiked the mountains around Ilulissat, visiting Sermermiut, an ancient settlement dating to 2400BC, and the Ilulissat Kangerlua (or icefjord). 

I gave presentations on my work at the Groenlandica Collection at the National Library of Greenland, which has acquired a copy of How To Say 'I Love You' In Greenlandic, and to the artist group Seqineq in Ilulissat. Watch this space for details of a new publication arising from the residency.

During my travels I met many remarkable people. Special thanks are due to Ole Gamst-Pedersen, Director of Ilulissat Kunstmuseum, and his wife Thrine, who made me very welcome in Ilulissat, and to Charlotte D. Andersen, Director of the Groenlandica Collection at the National Library of Greenland for her help with my research. My deep thanks also go out to all 67 supporters of my Kickstarter campaign, who generously covered the travel costs for this residency.

Sunday, 31 May 2015

Ilulissat Kunstmuseum


I am pleased to announce that I will be Artist in Residence at Ilulissat Kunstmuseum in Greenland during August 2015. This will be my first return to Greenland since my residency at Upernavik Museum in 2010, and I'm grateful for the opportunity to do further research in this beautiful country. And this time, I'll be experiencing the landscape in 24-hour daylight as opposed to 24-hour darkness!

Sunday, 25 May 2014

Vantar | Missing At Lady Margaret Hall


My year as Visual & Performing Artist in Residence at Lady Margaret Hall is drawing to a close, and this month the building was transformed by the appearance of Icelandic snowscapes: my new work, Vantar | Missing. Rather than turning one of the grand function rooms into a conventional exhibition space, Vantar | Missing was installed in the winding corridors at the heart of the college, which corresponded to the zigzag paths of the avalanche defences featured in the work. 

The avalanche is a subject that has haunted me since I first spent time in Iceland in 2012. Avalanches caused 198 deaths in Iceland during the twentieth century, but it was not until 1999 that avalanche defences were built around Siglufjörður, the small town at the northernmost tip of the island where I was living. Now, these subtle feats of engineering Stóri-boli (Big bull) and Litli-boli (Little bull) have become part of the mountain landscape, a barely perceptible human intervention dividing the town’s remaining inhabitants from the wilderness. 


This project has led to the publication of a new book and a print series, in which diptychs record changes in mountain snow cover and domestic interiors. The Icelandic word ‘vantar’ refers both to a lost object or person and to the experience of loss. People lost in the mountains are a frequent trope of Icelandic literature, from the sagas to contemporary crime fiction. I wanted to consider this theme from the angle of the people left behind.

Friday, 15 November 2013

Hawthornden Fellowship


I will be away until the end of the year on a fellowship at Hawthornden Castle in Scotland. Hawthornden was the birthplace and home of the seventeenth-century poet William Drummond, and since then it has served as retreat to innumerable writers, giving them space to finish old projects and begin new ones.

I will be completing a collection of poems about the Arctic and working on a new song cycle Quujaavaarssuq and the Queen of the Sea. The latter is based on the legendary journey of the Greenlandic hero Quujaavaarssuq to beg forgiveness from the Queen of the Sea, who destroyed the ice as an act of revenge on the humans who pollute her waters.

There is no internet access at Hawthornden, but I will resume posting in January 2014. The new year holds some exciting new projects, including two book publications and the unveiling of Vantar | Missing, an fictional history of avalanches in Iceland.

Tuesday, 8 October 2013

LMH Oxford Residency - Talk


My year as Artist in Residence at Lady Margaret Hall is now under way. I've been working in the library on the early stages of a print series which will combine my interest in Arctic landscapes with a response to the college site. I visit Bristol next week to meet with Arthur Buxton at the Centre for Fine Print Research, who will be advising me on the project.
More on this scheme as it develops. Meanwhile I will be giving a public talk to introduce my work at the end of the month. All are welcome, whether members of the university or not. 

No More Words for Snow: Arctic Alphabets
Nancy Campbell will discuss the influence of the vanishing languages and landscapes of the Arctic on her work. This illustrated talk will reflect on poetry and artist’s books created during residencies at institutions including the most northern museum in the world on the remote island of Upernavik in Greenland.

Refreshments will be served.

Venue: Old Library, Lady Margaret Hall, Norham Gardens, Oxford, OX2 6QA. 
Date: Friday 25 October 2013
Time: 5.15pm

Tuesday, 25 June 2013

Stories from the Flood


This month I was a writer-in-residence for Words Across Northumberland, a project facilitated by Hexham Book Festival. Two writers, the novelist Susan Fletcher and I were stationed in parts of the region that have been severely affected by flooding in the last decade. Susan Fletcher recorded her experiences in Morpeth and I spent time in Rothbury, a small town in the Northumberland National Park. 


The River Wansbeck looked demure the day I arrived in Morpeth. It was hard to believe these waters could have caused such devastation a few years ago. But breakfasting in a cafe before starting work, I saw a gloomy forecast in the Mirror


The moorlands with their low population make the Northumbrian landscape one the most tranquil in the country (CPRE Tranquillity Mapping Report). I grew up in the region and have often gone walking in the hills. However, I've never travelled along its winding roads in a Mobile Library van, so I was excited about the opportunity to start my residency with a guided tour from the Northumberland Mobile Library Service. 


There are several Mobile Library services in Northumberland: the one I travelled with operates from Morpeth Library (which lost 20,000 books to flooding in 2008). Morpeth Library incorporates the Northern Poetry Library, one of my favourite haunts as a teenager. I was pleased to be back and it was satisfying to be able to leave one of my own books behind as a donation for their collection. 

Northern Poetry Library

The Mobile Version

The Mobile Library is much less spacious, but the space was found for a writer-in-residence, packed in among the books. Keith Bruce manoeuvred the hulking library - not unlike a New York taxi in colour, but far less agile - out of Morpeth, and drove over the moors towards Rothbury and up the Coquet Valley, stopping in each village. As he navigated the winding lanes and potholes Keith told me his own stories on flooding in the region. 

Easy Read


The Mobile Library is clearly an important service, especially for older people, as it brings fresh supplies of literature and a little kindly contact every fortnight. We also stopped at a number of schools, and managed to escape from the eager children with a few books still left in the van. I was lucky to get an insight into how the system works, not to mention having a beautiful ride on a bright summer’s day, past hedges bursting with blossom, cow parsley and campion. Mr Dixon, author of Upper Coquetdale (available from the Mobile Library) quotes a traditional verse:

If life were like a day in June,
                 And we had choice of England wide,
         Who would not spend an afternoon,
           And evening too, by Coquet-side.



A break for lunch at Harbottle

Stopping for squirrels

The River Coquet at Rothbury

Rothbury Library

After seeing the Coquet valley at its most idyllic, I was in for a shock in Rothbury next day - where the effects of the floods of 2008 can still be seen, five years on, in the building work on the bridge. 


As I listened to the people who came to the library to tell me their stories, it became clear that the floods have an enduring effect on daily life in Rothbury. While the disaster brought a friendly community even closer together, there are still challenges. Five years on, some old people still sleep in their clothes because they fear the waters will rise in the night and catch them unprepared. Some comfort is offered by a dedicated team of volunteer Flood Wardens who keep an eye on the river as it rolls down from the hills after heavy rain. I was very moved by the bravery the Rothbury residents showed as they told their difficult stories, refusing to be pessimistic or self-pitying.

Armstrong Cottages, one of the worst-hit buildings


Thank you to everyone who came and shared their experiences. Now comes the writing up – a poem based on the river, which will be published this autumn.

Many thanks to Keith Bruce, Claire Watson and Diane Wright, and the other staff of Northumberland Library Services, for making me feel so welcome and for sharing their stories too.

Sunday, 19 May 2013

Oxford University Residency

Lady Margaret Hall, The Library

I have been offered the Lady Margaret Hall Visual and Performing Arts Residency for the academic year 2013–2014. During this time I will be based at the Oxford college and will contribute to its cultural life. Details of the residency programme will be announced soon.

Friday, 10 May 2013

Words Across Northumberland


I have been appointed as a Words Across Northumberland Writer in Residence.

Stories from the Flood places a creative writer in two Northumbrian libraries, Morpeth and Rothbury. Both towns were affected by catastrophic flooding in 2008. Susan Fletcher (in Morpeth) and I (in Rothbury) will spend time meeting staff and visitors and creating a body of work on the themes of flooding and climate change. Having researched and written on these issues during recent residencies in Denmark and Greenland, I look forward to bringing a global perspective on climate change to the region of the UK where I grew up.

I will make an initial mobile library tour of the area on Wednesday 19 June, and will be meeting the public in Rothbury Library on 20 and 21 June.

Wednesday, 30 May 2012

New Publication: Doverodde


Doverodde
Twenty short prose pieces about the harbour village of  Doverodde in Denmark, 
illustrated with photographs.
Bird Editions, Oxford, 2012.
Softcover: £12.95
Available to preview and purchase here.

* * * 

Doverodde shelters in an oxbow on the Limfjord, a glacial channel separating North Jutland from mainland Denmark. Nancy Campbell was Writer-in-Residence in Doverodde during the month leading up to the Doverodde Book Arts Festival in May 2012. The location lay behind the choice of theme for the Festival: On The Margins (or 'Udkant' in Danish).
'Despite the relative isolation of Doverodde, there was always something happening to justify walking away from my studio for a few moments – a boat launch, a flower market, a disagreement between dogs. Alongside work on poems about the region's geology and waterways, I began to collect notes about my everyday experiences in the village. These sketches developed into short prose pieces, published daily on my website for the entertainment of Doverodde’s residents and more distant friends. This selection from those writings provides a dose of life on the margins of Denmark.'

Sunday, 27 May 2012

Limfjord Lines



During April and May 2012 I was writer-in-residence at the Book Arts Center at the Limfjordscentret, located in a historic merchant’s building by the Limfjord in North Jutland, Denmark. This month-long residency culminated in the Doverodde Book Arts Festival IV and Symposium.

Limfjord Lines, an exhibition of my work about the region, will run in the Doverodde Købmandsgård Gallery from 22 May until 24 June 2012. Doverodde, a new publication containing writing from the residency, is also available.


Monday, 21 May 2012

Farewell to Doverodde


 Mors seen from Doverodde at dusk

This month in Doverodde has been rich in experiences and highly productive. I intend to return to the Limfjord in years to come, both in order to continue work on themes suggested by this residency, and also to initiate new projects. 



I've found daily posting a rewarding challenge. The posts are scribbled down in the time around work on Limfjord Lines, the poetry installation I am preparing for exhibition in the Limfjordcenter. Sometimes the posts are not finished to my satisfaction, and I know that sitting on them for a day or two would improve them, but I have to click 'publish' if I'm to keep to my promise. The blog is a great platform for sifting ideas. Sometimes I start writing the day's post - on the creature in the tower for example, or the seagull and the iron age barrow, or the sick child's island - to find it grows longer and longer, and those writings have developed in other directions. (Of course, then I need to find something else to slot into the day's diary.) Some experiences  I sought out hoping they would make interesting posts, such as the trip to Mors on the ferry, but they have become poems instead.
This week my solitude was exchanged for conviviality when a congress of artists arrived in Doverodde for the Book Arts Festival. I'm sure fragments of this landscape will reappear in their work too.


Limfjord Lines will run in the Doverodde Købmandsgård Gallery from 22 May until 24 June 2012.

Saturday, 19 May 2012

Doverodde Diary: Day 22 (Sunday Special) - Black Sheep



This week Doverodde DiaryWorld of Exteriors Sunday Special brings you an art world exclusive. Never before have works by anonymous guerrilla artist ‘Black Sheep’ been seen in the press.



Black Sheep was nowhere to be seen

There are many sheep in the gently rolling hills around Doverodde, but one is a prodigy. ‘Black Sheep’ (whose true identity remains a mystery even to our intrepid reporter) visits the village by night, leaving intricate crocheted works on drainpipes, handrails and even around the trees.




We believe Black Sheep be a native of the Thy region, for each work responds with subtlety to the colours and textures of its surroundings. 




These works bring flowers where there were none, and cover rude metal in woolen moss and bare bark with cotton lichen. 









A fringe of ivy leaves blows from a hydrant

Some works (below) have been spotted within buildings, indicating that as well as possessing a far from sheepish stealth, Black Sheep may have leanings towards cat-burglary.




Our resident art critic suggests that this may be a self-portrait. It is certainly far from unlikely that it displays an element of the sympathy felt by one four-legged creature for another.



Let us hope that Black Sheep will be a bellweather for textile arts in Doverodde, and maybe even further afield.

Editor's Note: We are pleased to report that last week's feature on Woodpiles has inspired our colleagues in Wales to file a related feature. We look forward to further updates from our loyal readers on marginal woodpiles worldwide.